I’ve been thinking about my love affair with historical fiction. It goes way back to my childhood, when burying myself in the pages of a book meant a trip to other times and places.

Books were better than movies for me. A book provided the set, characters, and plot but allowed my imagination to fill in some details. My very favorite books inspired me to write my own version of fan fiction before fan fiction was cool. Some authors might have been surprised to learn that a character they’d never created had hijacked their plot and now starred in a whole new version of the storyline.

My preferred historical “vacations” changed as I got older. My favorite era in middle school was colonial America, which made sense since I grew up in 18th century Annapolis. But then I started sliding backward. I slipped through the Jacobite risings in the Scottish Highlands, down past Charles II and the English Restoration, and straight into Tudor England.

By the time I hit college, I was a history major with an emphasis in medieval studies. But after I’d written a few novels, I changed course again and found myself drawn to the late 19th century, an era that had never enticed me before. From there it’s been a continued upward drift. Newport takes place in 1921; the novel I’m currently working on is set in the early 1930s.

It’s even more fun to write historical fiction than it was to read it. Once again, I get to immerse myself in a time period different from the one I inhabit on a daily basis. I get the opportunity to research random events and inconsequential details to my heart’s content. And this time my characters aren’t photo-bombing somebody else’s story. The setting and plot details are my own.

I worry that despite all of my best efforts to accurately re-create the texture of an era, some pesky anachronisms might creep in. But even with that pressure, I believe that authors of contemporary fiction have a much tougher time telling their stories than I do. Why? Because technical advances have made it difficult to build tension in any story set in modern day.

I offer the following examples:

Your protagonist, an amateur sleuth with a nose for solving crime, has a hunch the popular new guy in town isn’t on the up-and-up. But how to prove it? (Well, what do you think Google is for?)

The gorgeous woman who just introduced herself to the protagonist stirs faint memories; he knows he knows her, and he knows she knows he knows her. But, how? (Check Facebook first. If that fails, back to Google.)

The protagonist has information that could change the course of humanity. He must find a way to share this information immediately! (All right, then. Let’s just try a few cell phone numbers, because just about everybody is accessible all of the time these days.)

So, it’s pretty clear I lack the imagination to write a contemporary novel at the moment. We’re all better off if I stick with historical fiction.

And that’s just fine with me.

I do, however, have a confession to make: as excited as I am about my novel’s audio release, I’ve never actually listened to an audiobook.

I know. What rock have I been living under? Because now that my own book will be available in audio formats, it seems that everybody I talk to not only listens to audiobooks, but adores them. One friend tells me that listening to audiobooks together is a cherished part of family vacation road trips. Another says that stories and earbuds enhance his long walks. The AAA guy I didn’t know before I went in for a Triptik swears by them. (Yes, there is a story behind why I now know this about the AAA guy, but we’ll save that for another time.)

The audiobook business is booming. Last year, over 35,000 titles were released in audio formats, compared to around 12,000 in 2011. By the end of 2014, the global audiobook business was worth more than two billion dollars. Not bad for an industry that began back in the 1930s, when the Library of Congress created a “talking books” program to provide reading material for veterans blinded in World War I.

My informal poll of people who listen to audiobooks revealed that the narrator of the book is hugely important. Some listeners have disliked entire books because the narrator’s voice does not seem to “fit” the story. The AAA guy (really, he needs his own post) actually buys audiobooks based on who is narrating them and is such a fan of one narrator that he’ll buy any novel the guy narrates, regardless of whether there is any interest in the story itself. So, clearly, choosing the right narrator for NEWPORT mattered. (No pressure there. None at all.) Fortunately, my publisher did most of the hard work, presenting me with three competent narrators from which to choose. There was no way I could mess this up.

What an interesting experience, listening to each recording and trying to decide how NEWPORT should sound! When I write, I do sense my characters’ distinct voices and vocal inflections, but I’ve never had to translate what I hear in my head into actual tone. Which narrator had the timbre that would best express the mood of the story? Did any of the three possibilities have particular vocal nuances that might help listeners differentiate between speakers in conversation? Did one voice help weave the texture of the book’s historical settings better than the others? In the end, I used sheer intuition to make my decision: NEWPORT will be narrated by Audie-Award-winning actress Johanna Parker. (You can learn more about her here.)

Not everybody agrees that listening to books instead of reading them is a good thing. A recent study at the University of Waterloo in Ontario indicated that the freedom to multitask while listening to an audiobook may prevent the mind from absorbing  words it hears as effectively as those it reads. Maybe. But we are all so busy these days that reading time is often at a premium. For many, this isn’t an “either/or” choice. Listening is often the only way that a book might ever get “read.”

I can’t help but be a fan of any method that allows me to share my novel with readers. I’m also looking forward to listening to the story myself, experiencing NEWPORT in a whole new way.

And then I want to talk it over with the AAA guy.